Peter Ackroyd • Blake
London: The Folio Society, 2008. Hardcover. Xii, 455 pages. Bound in beige buckram with black title and gilt flourish to spine; detail redrawn from 'The Divine Image' in black with gold flourish to front cover. Front endpaper 'Elohim Creating Adam'. Rear endpaper 'Satan Exulting Over Eve'. Frontis self-portrait of William Blake. Abundant full-color illustrations throughout.
VG+ Clean, square, and firm. Light push at top spine. Pages are clean, bright, and free of markings. Slipcase shows light wear.
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Peter Ackroyd discloses the true nature of Blake's life and art. He traces his progression from early childhood in a Dissenting household, through his apprenticeship as an engraver and his studies at the newly formed Royal Academy Schools, to his full maturity when he produced the masterpieces upon which his reputation rests - works such as Jerusalem, Milton and Songs of Innocence and of Experience, works that were as neglected during his lifetime as they are celebrated today. But we also see Blake in the context of his period; we see him caught up in the Gordon Riots, excited by the French Revolution, being tried for sedition during the Napoleonic wars, attracted to various forms of spiritual radicalism and sexual magic. This is the first biography to reveal the true affinities between Blake's art and his poetry; in the magnificent biographical narrative we see Blake as a Cockney visionary and a London tradesman, as a prophet and an artisan.
